Two major works of Chinese government propaganda released this year have elicited opposite viewer reactions: effusive praise and ridicule. Both works, the historical fiction film The Battle at Lake Changjin 2 and the five-part TV documentary special Zero Tolerance, extol the virtues of sacrificing oneself for the Chinese Communist Party (CCP). Both are also plodding, heavyhanded, and preachy, commissioned by central authorities and released after scrutiny by government censors.
Yet where Lake Changjin 2, set during the Korean War, has been celebrated for its agonizing attention to brutal, snowy battle scenes, Zero Tolerance has come under fire for muddying its own message: namely, by not depicting corrupt officials as miserable and repentant enough. Lake Changjin 2, a feature film, has been deemed more effective as propaganda in the court of…